This quickly graduated to a real violin and, later, to piano.
House, Trost was given her first instrument before she turned four-years-old, a While her parents would always have music on in the It was almost like baby steps, or something. I think I’ve honed in more on my lyric writing. “I love my previous album, but I feel like the sound and quality of “I feel like I’ve come a long way from my previous album,” Like it’s own courageous step forward, musically. While this is, in part, a liberating experience – she is able to write, releaseĪnd record whatever she wishes – it is also a terrifyingly vulnerableĮxperience (she calls it a “leap of faith”). But she has also released several solo albums under her own Husband in a number of projects, including acclaimed groups like Beirut and A In terms of crystalizing that into a sound,Īs a musician, Trost is prolific. “Growing up in New Mexico, there are a lot of wide-open spaces. “I love atmospheric landscapes, musical landscapes,” Trost That seems baked into the topographic rock of the region. It mentally manifests theīrushed pastel colors of the Southwest – the red, orange, blue and purple clay Trost’s take feels like the openingĬredits of a modern Spaghetti Western movie, however. The original version isīy Grammy-winning songwriter, Harry Nilsson.
Of “Jump Into the Fire.” To start, the song is a cover. There is a great deal of connective tissue in the recording
Like it opens doors and bridges to a wider community.” To me, when I’m hearing music, it takes me to another place. You don’t need to speak the same language to understand the feeling that’sĬonveyed. “Music is this language that can bring people together in
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